Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, The Predidents allmusic Retrieved 8 April 2024 Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw.
In September 1958, McCoy entered Howard University and studied psychology, but he left school two years later in order to resume his musical career.
McCoy came into his own after first working for top producers Jerry Leiber and Mike Stoller as a writer, and then signing with the major April-Blackwood music publishing concern, connected with Columbia Records. He began writing a string of hits as the 1960s progressed. He penned "Giving Up" for Gladys Knight & the Pips (later a hit for both The Ad Libs and Donny Hathaway), "The Sweetest Thing This Side of Heaven" for Chris Bartley, "When You're Young and in Love" for Ruby & the Romantics (later a hit for The Marvelettes), "Right on the Tip of My Tongue" for Brenda & the Tabulations, "Baby I'm Yours" for Barbara Lewis, "Getting Mighty Crowded" for Betty Everett, "Abracadabra" for Erma Franklin, "You're Gonna Make Me Love You" for Sandi Sheldon, and "I Get the Sweetest Feeling" for Jackie Wilson.
Joe Cobb was a songwriting partner of Van McCoy. The duo composed at least eighteen chart hits, including "So Much Love" by Faith, Hope & Charity, "Triangle Of Love (Hey Diddle Diddle)" by The Presidents on, "Right on the Tip of My Tongue" by Brenda & the Tabulations, and "Come Back and Finish What You Started" by Gladys Knight & the Pips.
In 1965, Barbara Lewis had the Van McCoy-composed "Baby I'm Yours" released. She was originally reluctant to record it. It went to no. 11 that year.
By July 1965, McCoy and David Kapralik had formed Daedalus Productions. Their first production was to be a release by The Spellbinders. At the time, McCoy's composition "Before and After" by Chad and Jeremy and "Baby I'm Yours" by Barbara Lewis were both in the Cash Box Top 100.
Around 1965, McCoy was promoting the Sweet Things, a female vocal outfit. Walking into a Washington, D.C., record store one day, he was roped into giving a young salesman there an audition in the storeroom. Soon he had an idea that he could put the salesman, Herb Fame, together with the Sweet Things lead singer Francine Barker, and they would be a duo. And that was the beginning of Peaches & Herb. He ended up arranging and co-producing their first hit, "Let's Fall in Love", for the Columbia subsidiary Date in 1966.
In 1966, he started his own short-lived label, Vando.
By March 11, 1967, McCoy had left Daedalus Productions and had started his own production company, VMP (Van McCoy Productions ). The new company formed new labels and distributed the product via independents. It also produced artists for various labels. Already by then a Daedalus production that McCoy had arranged, produced and conducted, "Let's Fall in Love" by Peaches & Herb was in the charts. Also the previous week, a Sandi Sheldon record ("You're Gonna Make Me Love You") had been released by Okeh Records. It was done under the banner of Soul Sound Productions.
In the early 1970s, McCoy had begun a long, acclaimed collaboration with songwriter/producer Charles Kipps, and arranged several hits for the soul group The Stylistics etc.
McCoy also had success with David Ruffin's comeback album, Who I Am (1975), featuring "Walk Away from Love", (US No. 9, US No. 1 R&B) in the US and a UK top 10 success. He went on to produce the next two albums for Ruffin, which spawned further successes. His early discovery, Faith, Hope And Charity, had major success in 1975 with "To Each His Own". It was another R&B chart-topper. Also in 1975, he arranged two of his compositions, "My Heart's Too Big for My Head" and "You've Got to Tell Her", for the Asha Puthli album She Loves to Hear the Music.
An example of multiple McCoy compositions in the same chart was for the week ending November 15, 1975, in the Billboard Hot Soul Singles Chart. In addition to his hit "Change with the Times", which at week 6 was at no. 8, there was "To each His Own" by Faith Hope & Charity at no. 10 at week 14, "When You're Young and in Love" by Choice Four at no. 71 at week 11 and "I Destroyed "Your Love" by Special Delivery at no. 71 at week 5.
For the week ending May 8, 1976, McCoy had four of his compositions in the Billboard Hot Soul Singles Chart. At week ten, "Heavy Love" by David Ruffin was at no. 17, and "This is It" by Melba Moore at week six was at no. 29. His own single, "Night Walk" was on its fourth week at no 52, and "Hey What's that Dance You're Doing" by The Choice Four on week five was at no. 60.
Also in 1976, McCoy produced Melba Moore's "This Is It" and "Lean on Me".
Having changed the name of their production company Whitehouse Productions to McCoy-Kipps Productions in early 1976, McCoy and Charles Kipps had entered a new venture towards the end of that year. They had entered a production agreement to produce two albums of new R&B acts. A McCoy-Kipps Productions bio sheet for Kipps indicated that one of the artists could be actress Tamara Dobson. Dobson had signed with MCA sometime in the later part of 1976. Confirmation of things in motion appeared in the November 27 issue of Billboard. Dobson was the first artist to have a release scheduled for early 1977. Prior to that, in 1975 and 1976 McCoy had been seen escorting Dobson as well as dancing with her various venues.
During 1977, he produced Gladys Knight & the Pips' Still Together LP.
Having met Kendra Spotswood (also known as Sandi Sheldon), who lived near his family in 1961, she became his romantic interest, and they became an item. For the next five years, they would sing and record music together professionally. Their relationship ended when McCoy delayed their wedding plans because of a work contract he had signed with Columbia Records.Van McCoy Music - Van’s Bio: Page 2 More About Van McCoy
The first single for the label consisted of two McCoy originals, "Butterfly" and "Keep Loving Me". Billboard, October 2, 1965 - Page 52 Van Getting the McCoy Buildup From Columbia The single at the time had "Keep Loving Me" as the A-side. Backed with "Butterfly", it was arranged by Gary Sherman, and was released on Columbia 43415. The October 2 issue of Billboard had it in the Pop Spotlights Top 60 section, a record predicted to reach the top 60 of the HOT 100 Chart. Billboard, October 2, 1965 - Page 16 SPOTLIGHT SINGLES, POP SPOTLIGHTS, TOP 60 Spotlights -Predicted to reach the top 60 of the HOT 100 Chart The following week, Billboard ran a picture of McCoy seated, signing his contract with Columbia vice-president William P. Gallgaher and manager Dave Kapralik looking on. Billboard, October 9, 1965 - Page 24 TALENT A full page advert for the single with McCoy pictured appeared on page 5 of the same issue. Billboard, October 9, 1965 - Page 5 (Advert) Yes. We've chosen the shortest but most positive word we know to introduce you to AN EXCITING NEW STAR. Van McCoy
It charted in Canada, making its debut in the R. P. M. Play Sheet chart at no. 36 on the week of October 25. R. P. M., Volume 4, No. 9 Week of October 25th, 1965 - Page 5 R. P. M. Play Sheet In her New York column, Harriet Wasser ( R. P. M.'s New York correspondent R. P. M. Vol. 2 - No. 8 - Week of October 19, 1964 - Page 1 RPM WELCOMES....) mentioned that McCoy singing on "Butterfly" sounded a bit like Nat King Cole and Johnny Mathis. R. P. M., Volume 4, No. 9 Week of October 25th, 1965 - Page 6 NEW YORK by Harriet Wasser With the magazine now calling itself, R. P. M. Music Weekly the single peaked at no. 10 on the week of December 6. R. P. M. Music Weekly, Volume 4, No. 15 Week of December 6th, 1965 - Page 5 R. P. M. Play Sheet R. P. M. Music Weekly, Volume 4, No. 16 Week of December 13th, 1965 - Page 5 R. P. M. Play Sheet
In 1966, McCoy recorded a solo LP for Columbia entitled Night Time Is Lonely Time. It was produced by Mitch Miller.Genius - Night Time Is Lonely Time, Van McCoy
For the week of April 26, 1975, while "The Hustle" was at no. 7 on the Record World Disco File Top 20. He also had four of his songs on the Discotheque Hit Parade. "The Hustle" was getting spun at the Flamingo in New York as well as The Zanzibar at Washington, D.C., and The Directoire in New York. "Fire" was getting played at Disco 1985 in Los Angeles, "Disco Baby" was being played at The Zanzibar as well as "Turn this Mother Out". Record World, April 26, 1975 - Page 34 DISCO FILE TOP 20 Record World, April 26, 1975 - Page 34 Discotheque Hit Parade
On June 19, 1975, McCoy was in Montreal, Canada, attending a reception hosted by Quality Records at the Limelight night club. There he was presented with a giant award with the inscription, "Presented to Van McCoy by Quality Records Limited, in recognition of "Love Is the Answer" for the song's achieving hit status in Quebec. The function was to also commemorate the first concert appearance of Van McCoy and the Soul City Symphony at the Montreal Forum the next day on the 20th. RPM Weekly. Volume 23. No. 20. July 12, 1975 - Page 4 COVER STORY, Van McCoy - Soul with disco power
Making its debut on the Cash Box Top 100 R&B chart for the week of September 27, 1975, "Change with the Times" was at no. 78. Also that week, another composition of his, "To Each His Own" by Faith Hope and Charity was at no. 12 in the same chart. Cash Box, September 27, 1975 - Page 50 CASH BOX TOP 100 R&B "Change with the Times" peaked at no. 8 on the Top 100 R&B Singles chart on the week of November 22. Cash Box, November 22, 1975 - Page 48 CASH BOX TOP 100 R&B Cash Box, November 29, 1975 - Page 35 CASH BOX TOP 100 R&B It had also on made its debut on the week of October 4 in the Cash Box Top 100 Singles chart at no. 89, just behind by Silver Convention's "Fly, Robin, Fly" which was also making its debut. Cash Box, October 4, 1975 - Page 4 CASH BOX TOP 100 SINGLES Cash Box, November 15, 1975 - Page 4 CASH BOX TOP 100 SINGLES On the week of November 8, the single got to no. 52 on the Cash Box Top 100 chart, and held that position for another week. Cash Box, November 8, 1975 - Page 4 CASH BOX TOP 100 SINGLES Cash Box, November 22, 1975 - Page 4 CASH BOX TOP 100 SINGLES
"My Favorite Fantasy" would become a hit. While it was charting, another composition of his, "Don't Pity Me" by Faith Hope & Charity, was seeing chart action in the same Billboard and Cash Box charts. Catalog of Copyright Entries, Third Series: 1977 - Page 2224Billboard - Hot R&B/Hip-Hop Songs, WEEK OF JUNE 17, 1978 Cash Box, June 24, 1978 - Page 40 CASH BOX TOP 100 R&B In the United States, "My Favorite Fantasy" peaked at No. 76 on the Billboard Hot Soul Singles chart, Billboard, June 3, 1978 - Page 58 Billboard Hot Soul Singles, Billboard SPECIAL SURVEY For Week Ending 6/3/78 Billboard, June 10, 1978 - Page 60 Billboard Hot Soul Singles, Billboard SPECIAL SURVEY For Week Ending 6/10/78 peaked at No. 51 on the Cash Box Top 100 R&B chart, Cash Box, July 1, 1978 - CASH BOX TOP 100 R&B and it peaked at No. 48 on the Record World R&B singles chart. Record World, June 17, 1978 - Page 53 RECORD WORLD R&B SINGLES CHART Record World, June 24, 1978 - Page 65 RECORD WORLD R&B SINGLES CHART In Canada, it peaked at No. 37 on the RPM Adult Oriented Playlist chart.Library and Archives Canada, RPM Weekly, Volume 29, No. 16 Jul 15, 1978 - Item: 9314, Page 35 RPM Adult Oriented PlaylistLibrary and Archives Canada, RPM Weekly, Volume 29, No. 17 Jul 22, 1978 - Item: 10382 (Page unknown) RPM Adult Oriented Playlist It also charted in the United Kingdom, getting on to the Record Mirror UK Disco Top 90 chart, peaking at No. 70. Record Mirror, August 5, 1978 - Page 19 UK DISCO TOP 90 Record Mirror, August 12, 178 - Page 25 UK DISCO TOP 90
In late 1978, he produced and composed the A-side of the single "I'm Not Dreaming", credited to Zulema. It was backed with "Gotta Find a Way", released on LeJoint 5N-34002.45Cat - Zulema - Discography, USAMusic Metason - ArtistInfo, Zulema, I'm Not Dreaming
It was reported in the December 30, 1978 issue of Cash Box that MCA Records was holding back on a Van McCoy recording, "Patrolers Theme". Instead of this recording they were coming with "Lonely Dancer" which was from McCoy's forthcoming LP. The project was overseen by Billy Smith and Richie Rivera was taking care of the mix. Cash Box, December 30, 1978 - C-44 DISCO BREAKS (continued from page C-32)
In early January, Richie Rivera presented for the first time his mix of Van McCoy's "Lonely Dancer" at a New York City club. Cash Box, January 6, 1979 - Page 32 DISCO BREAKS On the week of January 20, 1979, Cash Box wrote that a 12" release of "Lonely Dancer" / "Samba" was being released on MCA that week. Cash Box, January 20, 1979 - Page 55 DISCO BREAKS
The Zulema and friend single "I'm Not Dreaming" was in the Soul section of Billboard's Top Single Picks for the week of January 20, 1979. The review was favorable. It was revealed that the unnamed friend singing with Zulema was actually Van McCoy. The reviewer put it on par with other "silky, romantic" recent hit recordings by Johnny Mathis & Deniece Williams, and Roberta Flack & Donny Hathaway. Billboard, January 20, 1979 - Page 126 Billboard's Top Single Picks, Soul
By February, the Lonely Dancer album was out. It was reviewed by Cash Box in the February 24 issue. Referring to McCoy's and Charles Kipps production values as stellar and first-rate background harmonies, the reviewer said that McCoy's baritone vocals were mostly first rate. The picks were "Merry Go Round", "The Samba" and "Lonely Dancer". Cash Box, February 24, 1979 - Page 17 REVIEWS ALBUM REVIEWS His release was part of an extensive campaign by MCA for the February releases which included releases by Joe Ely, Lane Caudell, Jeffree and Mel Tillis. The promotion strategy for McCoy's album was to build a strong base at a disco and R&B level. The paraphernalia to be distributed to the press, radio and retailers included a four-color poster and four-color button. Cash Box, February 24, 1979 - Page 29 MERCHANDISING, MCA Enacts New M'dsing Program Of the "Lonely Dancer" single, Brian Chin of Record World said, it was a "needed and pleasing change of direction for him". He also noted that McCoy sang lead on the song, the phased strings and Richie Rivera's mixing. Record World, February 3, 1979 - Page 22 RECORD WORLD DISCO, Disco File By BRIAN CHIN
Zulema's single, "I'm Not Dreaming" entered the Billboard Hot Soul Singles chart, peaking at No. 76 (week seven) on March 17, 1979, Billboard, March 17, 1979 - Page 38 Billboard SPECIAL SURVEY For Week Ending 3/17/79, Billboard Hot Soul Singles holding the position for another week. It had a total run of nine weeks in the chart. Billboard, March 24, 1979 - Page 68 Billboard SPECIAL SURVEY For Week Ending 3/24/79, Billboard Hot Soul Singles Billboard, March 31, 1979 - Billboard SPECIAL SURVEY For Week Ending 3/31/79, Billboard Hot Soul Singles
Also in March, Stuff's album Stuff It was out. Along with Faith Hope & Charity, Vanetta Fields, McCoy provided backing vocals. Billboard, March 24, 1979 - Page 130 Billboard's Top Album Picks, Billboard SPECIAL SURVEY For Week Ending 3/24/79, Jazz
In 1979, Van McCoy was still connected with the disco scene. Cash Box ran a recent picture in their March 31 issue. McCoy was pictured with a bunch of people in New York during the National Disco Convention. Pictured were Joanna Beck, Keith Barrow, Tony Beck, Lamarr Rene, WBLS radio personality; McCoy, Nick Mundy member of the Beck Family; and Billy Smith the national disco promotion manager for London Records. Cash Box, March 31, 1979 - Page 64 LONDON DISCO
During 1975 and 1976, McCoy was seen at various venues with actress Tamara Dobson.
McCoy never married or had any children. Sepia, Volume 27, Issues 1-6 - Page 56 - PAGE 56 He doted on his brother's four children and would give them gifts from places he went. He was greatly affected by the sudden death of his mother in 1973 from a brain hemorrhage and the death of his grandmother Mary Lindsay Ray in August 1976. Since the death of his mother, he had tried to distract himself by focusing on his career. After his grandmother died at the age of 101 or 102, both his physical and mental health declined.
| 1966 | Night Time Is Lonely Time | — | — | — | — | — | — | — | Columbia Records | |||||
| 1972 | Soul Improvisations | — | — | — | — | — | — | — | Buddah Records | |||||
| 1974 | Love Is the Answer | — | — | — | — | — | — | — | Avco Records | |||||
| 1975 | Disco Baby | 12 | 1 | 33 | 11 | 16 | — | 32 |
| |||||
| From Disco to Love | 181 | 41 | — | 75 | — | — | — | Buddah | ||||||
| The Disco Kid | 82 | 18 | 97 | — | — | 20 | — | Avco | ||||||
| 1976 | The Real McCoy | 106 | 22 | — | — | — | — | — | H&L | |||||
| Rhythms of the World | — | 44 | — | — | — | — | — | |||||||
| 1977 | Van McCoy and His Magnificent Movie Machine | — | — | — | — | — | — | — | ||||||
| 1978 | My Favorite Fantasy | — | — | — | — | — | — | — | MCA Records | |||||
| 1979 | Lonely Dancer | — | — | — | — | — | — | — | ||||||
| "—" denotes a recording that did not chart or was not released in that territory. | ||||||||||||||
| 1976 | The Hustle and Best of Van McCoy | 193 | H&L | |||||||||||
| 1979 | Sweet Rhythm | — | ||||||||||||
| 1987 | The Best of Van McCoy | — | ||||||||||||
| 2016 | The Best of Van McCoy | — | Unidisc Music | |||||||||||
| "—" denotes a recording that did not chart or was not released in that territory. | ||||||||||||||
| 1961 | "I Wantcha Back" | — | — | — | — | — | — | — | — | — | — | align=left rowspan="12" | ||
| "Never Trust a Friend" | — | — | — | — | — | — | — | — | — | — | ||||
| "Mr. D.J." | 104 | — | — | — | — | — | — | — | — | — | ||||
| "Girls Are Sentimental" | — | — | — | — | — | — | — | — | — | — | ||||
| 1962 | "Follow Your Heart" | — | — | — | — | — | — | — | — | — | — | |||
| 1963 | "It Ain't No Big Thing" | — | — | — | — | — | — | — | — | — | — | |||
| "Very Few Heartaches (Very Few Tears)" (with Kendra Spotswood) | — | — | — | — | — | — | — | — | — | — | ||||
| 1964 | "Two of a Kind" (with Kendra Spotswood) | — | — | — | — | — | — | — | — | — | — | |||
| 1965 | "Something Special" (with Kendra Spotswood) | — | — | — | — | — | — | — | — | — | — | |||
| "Butterfly" | — | — | — | — | — | 10 | — | — | — | — | ||||
| 1966 | "Starlight, Starbright" | — | — | — | — | — | — | — | — | — | — | |||
| "Take Me for What I Am" (with Kendra Spotswood) | — | — | — | — | — | — | — | — | — | — | ||||
| "The House That Love Built" | — | — | — | — | — | — | — | — | — | — | Night Time Is Lonely Time | |||
| "Pledging My Love" | — | — | — | — | — | — | — | — | — | — | align=left rowspan="5" | |||
| 1968 | "Sweet and Easy" | — | — | — | — | — | — | — | — | — | — | |||
| 1969 | "The Generation Gap" | — | — | — | — | — | — | — | — | — | — | |||
| "I Started a Joke" | — | — | — | — | — | — | — | — | — | — | ||||
| 1970 | "Where There's a Heartache (There Must Be a Heart)" | — | — | — | — | — | — | — | — | — | — | |||
| 1972 | "I'm in Love with You Baby" | — | — | — | — | — | — | — | — | — | — | Soul Improvisations | ||
| "Let Me Down Easy" | — | — | — | — | — | — | — | — | — | — | ||||
| 1973 | "I'm in Your Corner" (with Sharon Ridley) | — | — | — | — | — | — | — | — | — | — | align=left rowspan="1" | ||
| 1974 | "Love Is the Answer" | — | 77 | 22 | — | — | 88 | — | — | — | — | Love Is the Answer | ||
| "African Symphony" | — | — | — | 13 | — | — | — | — | — | — | ||||
| 1975 | "Boogie Down" | — | 67 | — | — | — | — | — | — | — | — | |||
| "The Hustle" | 1 | 1 | 2 | 3 | 9 | 1 | 3 | 5 | 4 | 3 | | align=left rowspan="1" Disco Baby | |||
| "Change with the Times" | 46 | 6 | — | 15 | — | 52 | 31 | — | — | 36 | The Disco Kid | |||
| 1976 | "Night Walk" | 96 | 51 | — | — | — | — | — | — | — | — | The Real McCoy | ||
| "Party" | 69 | 20 | — | 14 | — | — | — | — | — | — | ||||
| "Soul Cha Cha" | — | — | — | 14 | — | — | 13 | — | 7 | 34 | Rhythms of the World | |||
| "The Shuffle" | 105 | 79 | — | — | — | — | — | 6 | — | 4 | ||||
| 1978 | "My Favorite Fantasy" | — | 76 | — | — | — | — | — | — | — | — | My Favorite Fantasy | ||
| "Two Points" | — | — | — | — | — | — | — | — | — | — | ||||
| 1979 | "Lonely Dancer" | — | — | — | — | — | — | — | — | — | — | Lonely Dancer | ||
| "—" denotes a recording that did not chart or was not released in that territory. | ||||||||||||||
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